SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.791▲ 2.2 %+17 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday.2 311▼ 25.6 %was 3 620
ReactionsHow many reactions the posts published in the period have.21▼ 9.4 %was 27
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period.61▼ 17.0 %was 76with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions.28▲ 15.8 %was 25after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.94▼ 22.0 %was 121
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.11.9 %▼ 3.7 ppdashed line — was 15.6 %
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.0.91 %▲ 0.2 pp
was 0.75 %
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day.4.0▲ 8.7 %was 4.3
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.4.2 %▲ 0.8 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
+17subscribers in the period
+6 biggest gain · 26 Oct 2026
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
Audienceweak: a post is seen by 16% of subscribers7/25
Growth integritysteady growth, no signs of fake subscribers25/25
Ad loadlow: no ads14/20
Trustowner not verified, noticed in mentions6/20
Calculation reliabilityenough data8/10
Tip: post regularly, without long breaks, and what people read — this is part of Audience.
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
2 311views in the period▼ 25.6 %
Average post reach — 94 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
Subscriber engagement
0.91 %ER = reactions ÷ views▲ 0.2 pp
Channel ERaverage for the period
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 168
Video2121 %7 513
Photos3838 %5 699
Links1212 %5 239
Text2020 %7 626
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 00:14 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
Жанр: драма, исторический. О чём: эпохальная экранизация романа Льва Толстого о любви, чести и судьбах дворянских семей. Почему стоит смотреть: шедевр Сергея Бондарчука с грандиозными съёмками и великолепным актёрским ансамблем — Вячеславом Тихоновым, Людмилой Савельевой и Олегом Табаковым. 🎬
Жанр: биографическая драма. О чём: История братьев Мазерати, которые в 1914 году открыли небольшую мастерскую в Болонье и начали конструировать свой первый спортивный автомобиль. Почему стоит смотреть: Впечатляющая история о создании автолегенды, семейных испытаниях и жесткой конкуренции с Ferrari и Lamborghini. 🎬
Жанр: военная драма. О чём: офицер связи Огарков и рядовой Джурабаев ежедневно балансируют на грани жизни и смерти, выбираясь с боями из немецкого окружения в 1942 году.
Почему стоит смотреть: картина снята по повести писателя-фронтовика Эммануила Казакевича «Двое в степи» и военным дневникам Константина Симонова. 🎬
Жанр: драма, исторический. О чём: в 1904 году в Маньчжурии случайно встречаются сын Анны Карениной и граф Вронский, чтобы вместе найти ответы на прошлые трагедии. Почему стоит смотреть: новый взгляд на классический сюжет Льва Толстого через воспоминания и диалог двух главных мужчин в жизни героини. 🎬
Жанр: драма. О чём: Алика приезжает в Ялту с криминальным авторитетом Крымовым, но знакомство с юным музыкантом Банананом меняет всё. Почему стоит: легендарная картина Сергея Соловьева с музыкой Бориса Гребенщикова и участием Виктора Цоя, Татьяны Друбич и Станислава Говорухина. 🎬
Жанр: фантасмагория. О чём: инженер Алексей Варакин приезжает в провинциальный город в командировку и становится участником весьма странных событий. Почему стоит смотреть: тонкая режиссура Карена Шахназарова, отличный юмор и звёздный актёрский состав с Леонидом Филатовым и Владимиром Меньшовым. 🎬
Жанр: комедия. О чём: старик изобретает машину, безошибочно определяющую способности человека, но учёные и журналисты не спешат ему верить. Почему стоит: искромётный советский юмор, великолепная игра Николая Караченцова и Льва Дурова и поиски своего истинного призвания. 🎬
Жанр: драма, биография. О чём: история Сильвестра Сталлоне, который написал сценарий о боксёре и отказался продавать его без своего участия в главной роли. Почему стоит смотреть: вдохновляющая байопик-история о верности мечте, стающей предысторией главного кинохита 1976 года. 🎬
Жанр: остросюжетная драма, боевик. О чём: три разведывательно-диверсионные группы десантников отправляются в тыл «врага» для захвата командного пункта на масштабных учениях. Почему стоит смотреть: захватывающая советская классика Андрея Малюкова с Борисом Галкиным и Михаилом Волонтиром о настоящей дружбе и воинском долге. 🎬
Жанр: комедия, драма. О чём: обманутый муж знакомится в баре с эрудированным пенсионером, который предлагает решить семейную проблему оригинальным способом — с помощью исторических рецептов. Почему стоит смотреть: ироничная трагикомедия Карена Шахназарова с прекрасным актёрским ансамблем Олега Басилашвили и Андрея Панина. 🎬
Necessary cookies keep the site working: sign-in, form protection, language and theme. Yandex Metrica analytics cookies and Yandex Advertising Network ad cookies are enabled only with your consent. By clicking “Accept all” you give consent to processing of cookie data; see the Personal Data Processing Policy for details.
▶ video
