История Античности. Древний Рим: Res publica Romana
Сообщество Древний Рим: Res publica Romana посвящено истории Античности, и в первую очередь истории Римского государства в период его существования с 753 г. до н.э. до рубежа IV-V веков н.э. Целью сообщества является образовательная, научно-популярная и просветительская деятельность.
SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.663▲ 0.3 %+2 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.0was 0
ReactionsHow many reactions the posts published in the period have. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.0was 0
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.61▼ 19.7 %was 76with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.28▲ 12.1 %was 25after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.5 502▲ 0.1 %was 5 498after signing in
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.28.3 %▼ 1.2 ppdashed line — was 29.5 %after signing in
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.2.82 %▼ 0.1 pp
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.4.1▼ 10.2 %was 4.5after signing in
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.5.7 %▲ 3.5 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
We started tracking this channel recently: the chart will appear once there are at least two points with a subscriber count. MAX does not provide past numbers, so the history starts with the first poll.
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
673 375views in the period▼ 9.9 %
Average post reach — 5 502 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
The citation index has not been calculated yet: it will appear after the nightly calculation once other channels mention the channel.
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 168
Video2121 %7 513
Photos3838 %5 699
Links1212 %5 239
Text2020 %7 626
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 23:15 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
Бронзовый бюст римлянина - один из шедевров римского портрета Эрмитажа. Он был создан в 30-е гг. I в. до н.э. неизвестным скульптором, который вошел в историю искусства как "Ermitage-Meister".
Скорее всего бюст является частью гермы, основание которой было выполнено из камня. Несмотря на полную утрату инкрустации глаз из пасты или цветных камней, в римском искусстве трудно найти памятник, равный по силе выражения скорби и горестных раздумий. В знак траура по близкому человеку или в связи с трагическими событиями римлянином по греческому обычаю отпущены усы и борода.
Скульптор работал в век формирования римского портрета, когда происходил сложный процесс сплавления и переплетения в искусстве Рима этрусско-италийской, греческой и эллинистической традиций. В работе мастера гармонично сочетается унаследованная римлянами этрусско-италийская тенденция точной передачи внешности модели с особой одухотворенностью и мягкой пластичностью моделировки форм, присущими искусству эллинистических мастеров.
Существует предположение об отождествлении портретируемого с сыном Гнея Помпея Секстом Помпеем, одним из яростных и влиятельных врагов Октавиана во время гражданских войн.
Тема денежного (не)благополучия в аттической вазописи поднимается не единожды. Например, в собрании музеев Ватикана находится чернофигурная пелика со сценой продажи масла. Покупатель, наблюдая за тем, как продавец переливает масло в лекиф, обращается к Зевсу: «О, отец мой Зевс, сделай меня богатым!»
Некий спартанец, прибыв в другой город, надеялся остановиться у своего ксена (ξένος – греч. чужеземец, в данном случае – гражданин другого города, с которым заключался договор о гостеприимстве на случай приезда в этот город; эта практикабыла актуальн, если в городе было небольшой гостиничный фонд, или гостиницне было вовсе). Тот, однако, не был готов к приезду гостя, а потому сделал вид, что в день приезда спартанца его не было дома. К утру, впрочем, ксен подготовил нужную утварь и обустроил для спартанца комнату с удобной и мягкой постелью. Явившийся спартанец разгадал хитрость ксена. Став топтать мягкие одеяла, он объяснил, что из-за этой роскоши у него накануне не было места для ночлега или хотя бы соломы под боком.
Иллюстрация: амфора с изображением беседующих пожилого мужчины и воина, а также слушающего их третьего мужчины. Воин опирается на копье, а два других участника сцены – на посохи, которые брали с собой как на прогулку, в качестве трости, так и в путешествие. Предмет V века до н.э. из коллекции музея Метрополитен.
Керамический полихромный сосуд в форме башмака из Анатолии.
Древняя ассирийская торговая колония или Хеттское царство. Ок. 1900–1600 гг. до н. э. *** Возможно, что сосуд носил ритуальное значение и выполнял функции, связанные с определённым культом. Размеры:7,8 * 5,3 * 12,4 см.
Навершие вотивной булавы из известняка со стилизованным изображением львов, символах Нингирсу*.
Город-государство Гирсу. 2550 год до н. э. *** Надпись гласит: "Месилим, царь Киша, строитель храма Нингирсу, принёс [эту булаву] Нингирсу, Лугалшангур был князем Лагаша". _____________________________ *шумерский бог войны и земледелия. Один из божеств, входящих в круг богов-покровителей городы-государства Лагаш.
«...Хорошо заняться сбором фиг, а потому хорошо, если мы не пройдем без объяснений мимо этой картины. На виноградных листах навалены кучей темные фиги, уж давшие сок; они нарисованы уже с лопнувшей кожей. Одни из них чуть треснули, выпуская из трещин свой сок, сладкий, как мед; другие от зрелости как бы совсем раскололись... ...Если посмотришь на этот пучок виноградных лоз, на грозди винограда, что низко спустились, на то, как нарисована каждая ягода, я знаю, ты запоешь песню в честь Диониса и скажешь о лозах: «О благодатные, грозди нам винограда пославшие». И ты можешь сказать, что на этой картине виноградные гроздья вполне съедобны и полны винным соком» (Филострат Старший. Картины, I.31)
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