SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.4 826▼ 3.0 %−151 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.1 046▼ 30.5 %was 1 565
ReactionsHow many reactions the posts published in the period have. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.17▼ 44.7 %was 32
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.61▼ 19.0 %was 76with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.28▲ 13.0 %was 25after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.5 502▲ 0.1 %was 5 498after signing in
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.28.3 %▼ 1.2 ppdashed line — was 29.5 %after signing in
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.2.82 %▼ 0.1 pp
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day. The percentage is the change in the daily average: the current period is still running (today is not over yet), so it is compared with the previous one by pace rather than by total. “Was” is the whole previous period of the same length.4.1▼ 9.5 %was 4.5after signing in
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.5.7 %▲ 3.5 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
−148subscribers in the period
−42 biggest loss · 23 Oct 2026
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
673 375views in the period▼ 9.1 %
Average post reach — 5 502 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 168
Video2121 %7 513
Photos3838 %5 699
Links1212 %5 239
Text2020 %7 626
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 17:27 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
Парк вместо крыши гаража: площадь Саламеро в Сарагосе
В Сарагосе бюро Эктора Фернандеса Элорсы (Héctor Fernández Elorza) реконструировало площадь Пласа-де-Саламеро (Plaza Salamero), заменив кровлю подземного гаража новым городским парком. Проект выиграл конкурс и убрал транспорт с площади полностью — теперь это пешеходное пространство вплоть до окружающих фасадов.
Конструкция перекрытия гаража не выдержала бы тяжёлого озеленения, поэтому решение построили на лёгких зелёных клумбах. По периметру они образуют зелёный буфер между площадью и улицами, в центре складываются в свободный «растительный рельеф» из кустарников, многолетников, небольших деревьев и лиан.
Вокзал Сан-Бенту (São Bento) в Порту построен в начале XX века на месте бывшего монастыря, от которого и унаследовал название. Снаружи это сдержанное здание в духе французских вокзалов эпохи модерна, а главное скрыто внутри.
Вестибюль облицован примерно 20 тысячами изразцов «азулежу» — расписной керамической плитки, которую португальцы переняли у мавров и довели до статуса национального искусства. Синие и белые панно изображают сцены из истории Португалии: битвы, королевские въезды, сельские праздники.
Расписывал интерьер художник Жорже Колаку, работа заняла больше десяти лет.
Кстати, снаружи вокзал ничем не выдаёт этого богатства — узнать о нём можно, только зайдя внутрь.
Узнать город можно по силуэту, материалам, деталям фасадов. Но что делает современную архитектуру именно российской? К поиску ответа подключится Правительство: Владимир Путин утвердил поручения по итогам августовской встречи с архитекторами и специалистами по городской среде.
Один из пунктов касается понятия «общероссийская идентичность в архитектуре». Правительству предстоит рассмотреть вопросы разработки его методологии Советом по новому российскому стилю при Национальном центре «Россия», а также возможность учитывать эту идентичность при отборе проектов благоустройства.
Отдельное внимание — авторам, которые создают облик наших улиц. Президент поручил рассмотреть систему поддержки художников, скульпторов, архитекторов и урбанистов, в том числе молодых: их работы предлагается использовать при благоустройстве опорных населённых пунктов, предусмотрев закупки у самих создателей.
На площади Адольфа Шерфа (Adolf Schärf Platz) в 22-м районе Вены бюро DMAA построило по итогам конкурса комплекс Vienna TwentyTwo — ансамбль из шести зданий. Объёмы спроектированы по принципу самоподобия: при разной высоте и пластике фасадов комплекс выглядит как единый, будто органически выросший организм.
Несколько нижних этажей объединены в общий подиум — частично затенённое пространство с озеленением, где офисы, точки общепита и общественные функции собраны в плотную, но хорошо читаемую сеть маршрутов.
Как сказал архитектор бюро Дитмар Файстель: «Плотность понимается как инструмент проектирования. Это сокращает потребление земли, сокращает расстояния и обеспечивает функциональное разнообразие».
На острове Хайнань гонконгская студия One Plus Partnership оформила кинотеатр и кофейню Haikou Gaoxingli Insun. Архитекторы вдохновлялись морем, но вместо привычной синей палитры выбрали кирпич: он изгибается волнами, превращается в скамьи и поднимается над посетителями арками со встроенным светом.
В этом монохромном интерьере есть что-то от смелых общественных пространств 1970-х. Только здесь формы будто вышли из-под контроля и захватили всё помещение — от пола до потолка.
Астрономические часы в Страсбургском соборе (Cathédrale Notre-Dame de Strasbourg) — механизм в несколько уровней, встроенный прямо в интерьер готического храма. Нынешний вариант собрали в XIX веке, но традиция астрономических часов в соборе восходит ещё к Средневековью.
В полдень механизм разыгрывает шествие фигур апостолов перед Христом, а петух на самом верху хлопает крыльями и кукарекает — деталь, сохранившаяся ещё с самых ранних версий часов. Циферблаты показывают не только время, но и положение планет, фазы Луны и церковный календарь с подвижными праздниками.
Присмотритесь к аллегорическим фигурам возрастов человека, которые по очереди отбивают четверти часа у подножия механизма — от ребёнка до старика.
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