SummaryThe channel's key numbers for the selected period. The change is against the same span before the period, if statistics cover it. Hover over a tile chart to see the number at each point of the period.
Key numbers
SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.20 673▼ 0.6 %−134 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday.70 926▼ 34.6 %was 112 315
ReactionsHow many reactions the posts published in the period have.3 544▼ 17.6 %was 4 453
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period.58▼ 18.8 %was 72with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions.26▼ 2.9 %was 27after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.3 995▼ 21.7 %was 5 105
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.19.3 %▼ 5.2 ppdashed line — was 24.5 %
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.5.00 %▲ 1.0 pp
was 3.96 %
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day.2.7▼ 10.6 %was 3.1
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.2.5 %▼ 0.9 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
−132subscribers in the period
−37 biggest loss · 20 Oct 2026
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
no category, 20K–100K subscribers · channels in the group: 1016
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
70 926views in the period▼ 34.6 %
Average post reach — 3 995 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
Subscriber engagement
5.00 %ER = reactions ÷ views▲ 1.0 pp
Channel ERaverage for the period
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 109
Video2121 %5 014
Photos3838 %5 705
Links1212 %5 320
Text2020 %6 298
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 18:20 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
💡На фото особняк кондитеров Абрикосовых – напоминание об усадьбе купеческой жены Косыревой, построенной в 1820-м году, ее главный, господский дом.
Посреди затопленной дороги заглох культовый советский автомобиль ГАЗ-21 «Волга», чью электрику залило поднявшейся волной, а проезжающий мимо грузовик поднимает огромные веера брызг на идущих по колено в воде прохожих.
💡На фото знаменитый "Дом под юбкой". Дом построен в 1939–1940 годах по проекту А.Г. Мордвинова на месте снесенной церкви Дмитрия Солунского, которую снесли в 1933 году. До 1958 года на башне стояла балерина, отчего дом получил название «Дом под юбкой».
💡На современном нижнем снимке видно, что оригинальная геометрия конструктивистского фасада и массивный бетонный козырек входа полностью уцелели, несмотря на сильный пожар в двухтысячных годах.
💡На нижнем снимке купола собора полностью покрыли новыми долговечными листами золоченой меди, а легкую металлическую ограду девятнадцатого века сменило просторное открытое пространство площади, вымощенное крупными плитами из прочного подмосковного камня.
💡Успенский собор в центре кадра возводился итальянским инженером Аристотелем Фиораванти в пятнадцатом веке с применением революционной технологии: вместо традиционного известняка стены выложили из прочного обожженного кирпича, скрепленного уникальным известковым раствором с добавлением яичного белка для монолитности.
💡Огромный бронзовый ствол Царь-пушки массой около 40 тонн отлил в 1586 году выдающийся русский мастер Андрей Чохов на Пушечном дворе, украсив его рельефным изображением царя Фёдора Ивановича на коне и сложным орнаментом.
📍Вид вдоль стены в сторону Храма Христа Спасителя.
1899/2023 год.
💡Тайницкая башня слева получила свое название благодаря скрытому кирпичному колодцу-тайнику и подземному ходу к Москве-реке, которые строители заложили в пятнадцатом веке для водоснабжения гарнизона во время вражеских осад.
💡На снимках представлен Дом писателей в Лаврушинском переулке, расположенный прямо напротив Третьяковской галереи.
Жилой комплекс строился в два этапа по разным технологиям межэтажных перекрытий. В центральной секции 1937 года строители использовали комбинированные деревянные перекрытия по стальным балкам, а в послевоенных боковых крыльях применили более надежные монолитные железобетонные плиты. Разница в усадке этих конструктивных частей со временем потребовала создания специального деформационного шва, скрытого за декоративными фасадными пилястрами.
💡На современном нижнем фото исторический васнецовский фасад полностью отреставрирован, а стены выкрашены в глубокий терракотовый цвет. Старинный выбитый на стене текст «Московская городская художественная галлерея имени Павла Михайловича и Сергея Михайловича Третьяковых» бережно законсервирован.
Пространство переулка перед музеем огорожено новой кованой ковровой решеткой на кирпичных столбах, а на территории высажены деревья и установлены современные информационные пилоны.
💡На снимках представлены знаменитые чугунные «кружевные» ворота усадьбы Демидовых в Большом Толмачёвском переулке.
Эта ажурная ограда, признанная шедевром русского литейного искусства, была отлита в 1760-х годах мастером А. Т. Сизовым на уральских заводах Прокофия Демидова.
Necessary cookies keep the site working: sign-in, form protection, language and theme. Yandex Metrica analytics cookies and Yandex Advertising Network ad cookies are enabled only with your consent. By clicking “Accept all” you give consent to processing of cookie data; see the Personal Data Processing Policy for details.