SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.4 619▲ 3.7 %+166 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday.20 683▼ 27.4 %was 31 085
ReactionsHow many reactions the posts published in the period have.50▼ 23.2 %was 71
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period.58▼ 17.8 %was 72with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions.26▼ 1.8 %was 27after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.763▼ 26.3 %was 1 036
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.16.5 %▼ 6.7 ppdashed line — was 23.3 %
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.0.24 %0.0 pp
was 0.23 %
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day.4.4▲ 12.7 %was 4.3
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.2.5 %▼ 1.8 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
+166subscribers in the period
+43 biggest gain · 23 Oct 2026
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
20 683views in the period▼ 27.4 %
Average post reach — 763 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
Subscriber engagement
0.24 %ER = reactions ÷ views0.0 pp
Channel ERaverage for the period
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
The citation index has not been calculated yet: it will appear after the nightly calculation once other channels mention the channel.
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 109
Video2121 %5 014
Photos3838 %5 705
Links1212 %5 320
Text2020 %6 298
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 09:58 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
Mirror selfie: A woman sits on the floor, positioned sideways with her legs bent and tucked to the right. Her left hand rests on the floor for support, while her right hand is raised, holding a smartphone. A large bouquet rests on her lap. Her torso is slightly inclined to the left, with her head turned toward the mirror. The image is a full-length reflection captured in a mirror.
Her hair is styled with soft waves at the ends.
She wears natural-looking makeup with a light matte finish: satin-finish eyeshadow in a soft taupe shade (RGB 167, 151, 139), a thin dark brown eyeliner along the lash line, volumizing mascara, a subtle satin highlight in the inner corners of her eyes, and a nude lipstick in a muted beige-rose tone (RGB 196, 162, 150). Her skin appears even and matte.
In her ear, she wears a large drop earring made of milky-colored pearl beads (RGB 240, 234, 224) with a glossy surface.
Attire: A midi-length slip dress with thin straps and a V-neckline, crafted from glossy, milky-white satin (RGB 244, 240, 234).
A bouquet of dense, milky-white peonies (RGB 246, 242, 236)—featuring pinkish veins and dark green leaves (RGB 50, 80, 50)—rests on her lap; the petals are matte and multi-layered.
Setting: A bright, spacious room with light-colored wooden flooring (RGB 190, 188, 184) that shows a glossy reflection. In the background, there are windows draped with white, semi-translucent curtains. A mirror in a substantial white frame—accented with gold-toned detailing at the corners (RGB 212, 175, 100)—rests on the floor. To its right is a white, textured stone wall; nearby, a white ceramic vase with an embossed pattern holds peonies in a matching shade.
Lighting: soft, natural light coming from windows to the front-left; the light is diffused, casting warm, bright patches across the floor and legs. Shadows are soft and subtle; contrast is low, the color palette is light, and the overall mood is soft, minimal, and editorial.
Captured with a smartphone camera (26mm equivalent, f/1.8 aperture) with a medium depth of field. The textures of the satin, flower petals, wood, and stone are highly detailed and photorealistic.
Selfie – A woman sits in the front seat of a car; her torso is turned slightly to the right, her head is tilted, and her lips are pursed in a soft, kiss-like expression. She looks toward the camera through her sunglasses, her right arm bent, with her fingers touching her lower lip. This is a medium shot—framing her from the head to the chest—captured at eye level as a handheld selfie.
Makeup: Dark mascara on lengthened lashes; lips in a nude-pink shade (RGB 206, 140, 130) with a glossy texture and a volumizing effect. Her skin appears smooth and matte.
Manicure: Long, almond-shaped nails with a glossy, milky-white finish (RGB 240, 236, 228). A chunky, silver-toned ring (RGB 200, 200, 205) with a glossy surface adorns one of her fingers.
Her hair is styled with soft waves at the ends.
She is wearing large, visor-style sunglasses with a glossy black frame (RGB 20, 20, 22) and gradient lenses in a brownish-beige hue (RGB 160, 130, 100); a metallic logo is visible on the temple. Around her neck, she wears a delicate silver chain accented with small crystals. Clothing: A dark gray (RGB 76, 78, 82) knitted cardigan made of soft, matte, ribbed-texture fabric; worn over a white, matte cotton T-shirt (RGB 238, 236, 232); topped with an oversized black (RGB 18, 18, 20) leather jacket.
Environment: A car interior featuring dark-toned upholstery—black and graphite (RGB 30, 30, 32)—on the headliner, pillars, and seats. The space is free of extraneous objects; a portion of the side-view mirror is visible on the right.
Lighting: Soft, natural, diffused light entering from the front-top (via the windshield). Shadows are smooth, contrast is moderate, and the background fades into darkness, creating a moody, editorial atmosphere.
Captured with a smartphone camera (26mm equivalent, f/1.8 aperture), resulting in a shallow depth of field. The focus is sharp on the face and lips, with the hair and hand also in focus, while the car interior in the background appears slightly softer. The textures of the skin, hair, knitwear, and plastic are highly detailed and photorealistic.
A woman stands leaning her right shoulder against a black cast-iron lamppost. Her torso is turned slightly to the left, while her head is tilted toward the camera and inclined a bit to the right; her gaze is fixed on the lens. Her right arm is bent at chest level, holding a yellow maple leaf, while her left hand steadies a coat draped over her shoulders. This is a medium shot, capturing her from the head to the hips, taken at eye level.
Makeup: an even complexion, dark mascara on lengthened lashes, and lips in a muted red-coral shade (RGB 178, 70, 62) with a matte finish.
Manicure: short, oval-shaped nails with a glossy, clear topcoat.
Hair: styled in soft, voluminous waves that fall naturally. She wears a small, silver-toned hoop earring (RGB 200, 200, 205) with a glossy surface.
Clothing: a matte, cream-colored (RGB 238, 228, 212) sweater made of thick, textured knit, featuring a stand-up collar with a short zipper and wide sleeves. She wears high-waisted, brown corduroy trousers, with a long, brown wool coat draped over her shoulders. The maple leaf is a yellow-orange hue (RGB 220, 160, 40) with a matte texture. Setting: an autumn city street; on the left, a building made of light-beige stone (RGB 214, 196, 166) featuring an arched window and a staircase with a metal handrail; the pavement consists of gray, matte-finish tiles scattered with fallen brownish-red leaves (RGB 150, 70, 40). In the background, there are trees with golden-green and orange foliage (RGB 200, 130, 40).
Lighting: warm, natural sunlight.
Shot with an 85mm portrait lens at an aperture of f/2.0, resulting in a shallow depth of field. The textures of the skin, knitwear, linen, and metal are highly detailed and photorealistic.
The woman is positioned at a three-quarter angle; her torso is turned to the left, while her head is turned toward the camera, her gaze fixed directly into the lens. She holds a small orange pumpkin at waist level with both hands. This is a medium shot, capturing her from the head to the hips, taken from an eye-level perspective.
Makeup: an even complexion, brown-gold eyeshadow (RGB 180, 120, 80), dark mascara on lengthened lashes, and lips in a nude-peach shade (RGB 200, 130, 110) with a matte finish.
Manicure: long, almond-shaped nails with a glossy, deep burgundy polish (RGB 90, 16, 28).
Her hair is styled with soft waves at the ends.
Around her neck is a delicate silver chain (RGB 200, 200, 205) featuring a small, glossy, mermaid-tail-shaped pendant.
Attire: a form-fitting, long-sleeved, high-neck top made of matte black knit fabric (RGB 16, 16, 18), accented with voluminous, puffed sleeves made of sheer black tulle (RGB 24, 24, 28) that fall in soft folds; she also wears a skirt crafted from multiple layers of black tulle. The pumpkin is smooth, orange (RGB 238, 140, 40), features light-colored stripes, and has a glossy surface.
Setting: an autumn garden, with a white spiderweb in the background, along with softly blurred branches bearing orange leaves (RGB 232, 130, 40) and pumpkins. Lighting: natural, warm light from the setting sun, originating from the right and rear, creating a soft, golden rim light along the edges of the hair and the tulle fabric. The shadows are soft, the contrast is moderate, and the overall mood is warm, cinematic, and editorial.
Shot with an 85mm portrait lens at an aperture of f/2.0, resulting in a shallow depth of field. The focus is on the face and eyes; the pumpkin and hands also fall within the plane of focus, while the spiderweb and leaves in the background are rendered into a soft, creamy bokeh. The textures of the skin, knitwear, tulle, and pumpkin are highly detailed and photorealistic.
A woman sits on the upper steps of an old house’s porch, her legs spread wide, her body leaning slightly forward. Her forearms rest on her knees, fingers interlaced, and her gaze is directed toward the camera. Full-body shot (head to feet), captured from a low angle, from the side.
Makeup: dark mascara on lengthened lashes; lips in a muted reddish-brown shade (RGB 150, 56, 50) with a matte texture. The skin appears smooth and matte.
Manicure: short, oval-shaped nails with a glossy, clear finish.
Her hair is styled with soft waves at the ends.
Attire: black skinny jeans with ripped knees, an oversized orange sweater with wide sleeves and narrow cuffs, and black matte leather lace-up boots with chunky soles.
Setting: a two-story wooden house with peeling white paint on the columns and siding; a porch featuring carved balusters; a window with a white lace curtain. Scattered on the steps and around the figure are numerous orange (RGB 220, 100, 30) jack-o'-lanterns with carved faces and a glossy surface. A spiderweb hangs in the upper part of the porch.
Lighting: soft, diffused natural light typical of an overcast autumn day—even and nondirectional. Shadows are soft and barely perceptible; contrast is moderately low, and colors are muted. The overall mood is moody, cinematic, and editorial.
Shot with a 50mm lens at f/2.8, with a medium depth of field. Focus on the face, fine film grain, texture of skin, cotton, wood, and pumpkin rind; highly detailed, photorealistic.
A woman stands in a forest, positioned sideways to the camera; she holds a lit candle with both hands in front of her chest, her gaze directed toward the camera. This is a medium shot, framed from the head to the hips, taken from a chest-level perspective.
Makeup: bold, dark eyeliner on the upper lids, dark mascara on lengthened lashes, and lips in a muted, chocolate-brown shade (RGB 110, 66, 56) with a matte finish. Her skin appears smooth and matte.
Manicure: short, oval-shaped nails with a glossy, dark-brown polish (RGB 72, 40, 30). She wears several rings on her fingers, featuring dark stones set in silver and gold.
She wears a drop earring consisting of two round, matte, blue-gray beads (RGB 130, 150, 170), and a delicate chain around her neck.
Her hair is styled with soft waves at the ends.
Attire: a black matte wool beret (RGB 18, 18, 20); an olive-green (RGB 74, 80, 52) V-neck sweater made of soft, finely textured, matte wool knit; a black (RGB 16, 16, 18) mock-neck top worn underneath; and a black (RGB 20, 20, 22) matte velvet skirt. A slender, cream-colored candle (RGB 238, 224, 190) sits in a holder, with wax dripping down its side; the flame is a warm yellow-orange (RGB 250, 190, 80).
Setting: an autumn forest at night, featuring bare, gray-brown tree trunks and dry, ocher-hued grass (RGB 160, 110, 60).
Lighting: provided by the candle.
Captured with an 85mm portrait lens at an aperture of f/2.0, resulting in a shallow depth of field. The textures of skin, fur, velvet, and wax are highly detailed and photorealistic.
A woman stands sideways to the camera; her right arm is bent, with her fingertips touching her chin, while her left arm is bent at her waist. Her head is tilted slightly to the right, and she is looking toward the camera. The shot is a medium-long shot (from head to knees) taken at eye level.
Makeup: an even complexion, dark mascara on lengthened lashes, brown-bronze eyeshadow (RGB 150, 100, 70), and a matte, nude-beige lip color (RGB 190, 140, 120).
Manicure: long, almond-shaped nails with a glossy, milky-white finish (RGB 240, 236, 228).
Hair: styled in a high, sleek ponytail with braiding at the crown.
Attire: a glossy, brown satin corset top featuring underwire cups and a sheer mesh panel at the waist, with long tulle ribbons tied into bows at the shoulders. A long skirt made of multiple layers of semi-sheer, matte brown tulle, finished with a ruffle at the hem and falling in soft folds.
Setting: an autumnal waterfront promenade. In front of the subject is a wooden table holding orange pumpkins (RGB 232, 120, 30), pots of orange and yellow chrysanthemums (RGB 240, 180, 30), and a black lantern containing a lit candle. In the background lies calm water, catching the golden glimmers of string lights; willow branches with golden-yellow foliage (RGB 190, 150, 50) hang overhead, adorned with strings of warm-glowing lights. Further back, a wooden bridge and a green slope are visible.
Lighting: The natural, warm light of twilight blends with the glow of the string lights. The primary light source comes from behind and above, creating a golden rim light along the edges of the hair and shoulders. The shadows are soft, the contrast is moderate, and the overall mood is warm, cinematic, and editorial.
Shot with an 85mm portrait lens at an aperture of f/2.0, resulting in a shallow depth of field. The focus is on the face; the dress and the pumpkins also fall within the plane of sharp focus, while the lights and the reflections on the water dissolve into a soft, golden bokeh. The textures—skin, tulle, satin, and pumpkin rind—are highly detailed and photorealistic.
A boy sits in a relaxed, cross-legged lotus position, turned sideways toward the camera; he is looking directly at the lens. This is a full-length shot, taken at eye level.
He is dressed in a vintage-style outfit: a light-cream button-down shirt, a gray tweed vest, rich reddish-brown corduroy trousers, and high-top brown sneakers.
The outdoor setting features a white fabric teepee positioned in the center of the frame, with an open entrance revealing a fluffy sheepskin rug inside.
The teepee is made of thick, matte, milky-white cotton (RGB 240, 232, 218) and supported by wooden poles at the top (RGB 200, 160, 120). It includes a small, four-pane window and ties at the entrance. A string of lights and a strand of matte-finish wooden beads (RGB 214, 170, 120) drape down the frame. Inside, the floor is covered with a long-pile, white sheepskin rug (RGB 246, 242, 234) and a round, fringed rug.
Near the entrance, a collection of pumpkins of various sizes is arranged: some are orange (RGB 232, 120, 30) with a glossy finish, while others are white or gray-green (RGB 170, 190, 170) with a matte, ribbed texture. Setting: an autumn forest; the ground is covered in fallen leaves in shades of brown and orange (RGB 150, 90, 40). In the background, there are shrubs and trees with golden and green foliage, along with a wooden fence.
Lighting: natural, warm light from an autumn day, coming from above and to the left; it filters through the foliage, casting soft patches of light and gentle shadows on the ground and the wigwam.
Shot with a 50mm lens at an aperture of f/4, with a medium depth of field. Highly detailed, photorealistic.
Necessary cookies keep the site working: sign-in, form protection, language and theme. Yandex Metrica analytics cookies and Yandex Advertising Network ad cookies are enabled only with your consent. By clicking “Accept all” you give consent to processing of cookie data; see the Personal Data Processing Policy for details.
