SubscribersHow many subscribers the channel has now. The wave shows subscribers at each point of the period. The change is against the start of the period.880.0 %+0 for the period
ViewsHow many views the posts published in the period have now. These are not views per day: MAX does not report how many views there were yesterday.76▼ 74.6 %was 338
ReactionsHow many reactions the posts published in the period have.9▼ 82.8 %was 59
MentionsHow many times other channels mentioned the channel: links and reposts, excluding advertising posts. The bigger the circle, the more mentions at that point of the period.58▼ 17.3 %was 72with a subscription
RepostsHow many times other channels reposted this channel's posts (excluding advertising posts). Reposts are also counted as mentions.26▼ 1.1 %was 27after signing in
Average post reachHow many views one post gets on average. Only posts older than two days are counted: views of fresh posts are still growing. Points with fresh posts are dashed with hollow dots: the reach of all posts right now, it will still grow.28▼ 50.3 %was 56
ERRWhat share of subscribers sees an average post: average reach ÷ subscribers × 100 %. The line shows ERR at each point of the period, the dashed line — ERR of the previous period of the same length. Points with posts younger than two days are hollow dots on the dashed end of the line.31.8 %▼ 32.2 ppdashed line — was 64.0 %
Engagement ERHow often readers react to posts: reactions ÷ views × 100 %. The tick on the bar is the previous period.11.84 %▼ 5.6 pp
was 17.46 %
Posts per dayHow many posts are published per day on average. Each cell is a point of the period: the darker, the more posts per day.0.4▼ 43.6 %was 0.9
Ad shareWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The scale shows the ad load by the quality index thresholds: up to 10 % — low, up to 25 % — moderate, up to 50 % — high, above — very high. A growing share is marked red.2.5 %▼ 1.8 pp
TrendTop — subscribers at the end of each point of the period; bottom — growth per point: green means more subscribers, red means fewer. Above the growth chart — the biggest gain and the biggest loss. MAX does not report how many people subscribed and unsubscribed separately.
Audience growth
0subscribers in the period
The number of subscribers did not change in the period
Channel scoreA channel score from 0 to 100 made of five parts: audience, growth integrity, ad load, trust and calculation reliability. Each bar shows how many points the part earned out of its maximum. The index is recalculated every night; channels are compared with similar ones of the same category and size.
The quality index has not been calculated yet. It appears for channels with at least 500 subscribers that post at least once a week, after a week of tracking.
ReachHow many views the posts published at each point of the period have now (not views per day). The record is labeled; the point with today is paler — the day is not over yet. Average post reach — posts older than two days.
Views and reach
76views in the period▼ 74.6 %
Average post reach — 28 views (posts older than two days).
EngagementER — reactions divided by views, in percent — for the posts of each point of the period. The dashed line is ER for the whole period. The change is in percentage points against the previous period of the same length.
Subscriber engagement
11.84 %ER = reactions ÷ views▼ 5.6 pp
Channel ERaverage for the period
CitationsThe citation index (CI) shows how often and by which channels this channel is mentioned over the last 30 days, excluding advertising posts. The level is its place among similar channels. The line shows CI at each point of the period (for a week or month — the average over its days).
RhythmHow many posts are published on average in each hour of each weekday, Moscow time: the darker the cell, the more posts. “Best time” — the hours when posts older than two days have the highest average reach.
When and how much it posts
MonTueWedThuFriSatSun
036912151821
Best time:09:0018:00hours when posts get the highest average reach
FormatsWhat the feed is made of. Each post has one format, by priority: repost, video, photo, link, text. The bar and percentages show the share of posts of each format; on the right — average reach of one post of the format (posts older than two days), the small bar compares it with the most viewed format.
Post formats
100 posts
Reposts99 %6 109
Video2121 %5 014
Photos3838 %5 705
Links1212 %5 320
Text2020 %6 298
On the right — average reach of one post of the format.
PostsEach dot is a post in the period: horizontally — publication date, vertically — views, dot size — reactions, color — format. This shows hits, flops and how reach changes. For large channels, the 100 most viewed posts and an even sample of the rest are shown — no more than 1,500 dots.
Every post is a dot
Higher means more views, bigger means more reactions. Click a dot to open the post.
VideoPhotosOthersize — reactionsZoom with the + and − buttons, a pinch or Ctrl + mouse wheel; drag a zoomed chart to move it
SummaryTotals for the selected period: how many posts were published, how many views and reactions they have now and the average post reach. Views are the current views of posts published on those days, not views per day. The change is against the same span before the period, if statistics cover it.
Period totals
Click a metric to see it across the period below
Viewstoday — the day is not over yetPoints with posts younger than two days are pale and dashed: their views are still growing.
AdsWhat share of the period's posts looks like advertising: erid labeling, ad links and other signs. The detector is cautious, so the real share is usually higher. The scale shows the ad load by the quality index thresholds. Below — the average reach of an ad post and a regular post, and who the channel advertises (sites that ad links lead to).
What worksPosts of the period with the most views. The bar shows views relative to first place. The preview is the post's image; for a post without an image — the channel avatar. Views are the post's current count.
RhythmHow many posts were published each day of the period (pale bars) and the 7-day average (line): you can see whether the channel is speeding up or slowing down. Today is not over yet, so its average is calculated up to yesterday.
Posts by day
Pale bars are days, the line is the 7-day average: you can see whether the channel is speeding up or slowing down
Posts per day7-day average
Data updated at 04:59 Moscow time. Views are the current counts of posts published on those days; average reach counts posts older than two days.
How the quality index is calculated
Свет и песок: интерактивная зона в Северодонецкой галерее искусств
Северодонецкая галерея искусств продолжает радовать своих посетителей не только классическими экспозициями, но и современными интерактивными проектами. Световые столики для рисования песком по прежднему радуют детвору.
Податливый кварцевый песок, подсвеченный снизу мягким светом, превращается в холст для мимолётных шедевров. Здесь нет страха совершить ошибку — любое неверное движение можно тут же исправить, смахнув его рукой, или превратить в новую деталь рисунка.
Песочная анимация — это искусство момента, которое учит ценить процесс и не бояться экспериментировать.
Обязательно загляните к нам, чтобы попробовать себя в роли песочного художника. Кто знает, какие миры вы создадите кончиками пальцев?
В Северодонецкой галерее искусств проходит выставка Юлии Бабенко, посвящённая росписи деревянных и глиняных изделий. Среди экспонатов — свистульки, чья история уходит в глубокую древность.🦜
Изначально свистульки из глины и дерева были не забавой, а важным элементом обрядов. Со временем их сакральный смысл угас, и они стали детской игрушкой и музыкальным инструментом. До XIX века они были частью народных гуляний, таких как «Свистопляска», а в каждой местности складывались свои формы и узоры росписи.
Глиняные и деревянные свистульки известны ещё с VIII века до нашей эры. Особый интерес вызывают «водяные» свистульки: если налить внутрь немного воды, поток воздуха захватывает капли, и обычный свист превращается в переливчатые трели, похожие на пение соловья. В древности этот эффект использовали в весенних обрядах, чтобы «приманивать» весну.
Мастера разных регионов создавали узнаваемые стили: Дымковская игрушка (Вятская губерния) славится нарядной росписью, Филимоновская (Тульская губерния) — простыми выразительными орнаментами, Каргопольская (Архангельская губерния) — уникальными формами, а Жбанниковская игрушка (Городецкий район Нижегородской области) приобрела известность тем, что мастера использовали чёрную глину с золотой россыпью, которая при обжиге становилась красной.
Это праздник людей, чья работа остаётся невидимой для пассажиров, но без неё невозможен ни один полёт. Их голос звучит в наушниках пилотов, их решения — залог безопасности в небе. День и ночь, в любую погоду они держат в руках незримые нити, связывающие землю и воздух.
В коллекции Северодонецкой галереи искусств хранится картина Юрия Чеха «Взлет над горами», которая как нельзя лучше передаёт суть этой профессии. И это не случайно: художник в прошлом лётчик, а точнее — авиационный инженер. Он знает о небе не понаслышке: каждый взлёт, каждый разворот, каждое мгновение полёта знакомы ему изнутри. Именно поэтому его картина дышит ощущением полёта — лёгкость и мощь одновременно. Самолёт словно парит в густой синеве, а где-то внизу, в этой же синеве, остаётся аэродром, где за пультами сидят те, кто первыми встречает и провожает каждый рейс.
Сегодня мы говорим спасибо всем российским авиадиспетчерам за их профессионализм, выдержку и внимание. За то, что каждый день они обеспечивают безопасность тысяч людей, помогая самолётам взлетать и мягко возвращаться на землю.
Ясного неба вам и уверенных решений! Пусть все рейсы всегда возвращаются домой. ✈️🛫
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