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Create an ultra-photorealistic 15-second cinematic film, 16:9, 24…

Create an ultra-photorealistic 15-second cinematic film, 16:9, 24 fps. A man confronts the woman he loves, now a ferocious zombie. He cannot shoot her. Her violent attack becomes a loving embrace from their past through a precise match cut. Realistic acting and continuity.

IDENTITY: Use @image1 ONLY for the woman's face and identity, NEVER her outfit or background. Preserve her facial geometry, asymmetry, age, hair and recognizability 1:1 as both zombie and healthy woman. The man stays identical. Clothing comes ONLY from this prompt.

COSTUME LOCK: Exactly TWO fixed costume states, PRESENT and MEMORY. Keep each outfit identical in EVERY shot and angle: colors, fabric, sleeves, buttons and layers. Both change ONLY at 00:08.0 with the entire location.

PRESENT — 00:00–00:08.0. Ruined apartment: peeling gray-green wallpaper, cracked plaster, broken furniture, dusty floorboards and dirty window. Cold weak daylight, underexposed gray-olive grading, deep shadows, heavy 16mm grain.

PRESENT CLOTHES: WOMAN wears a faded deep-forest-green cotton shirt-dress, below-knee length, pointed collar, long sleeves rolled once to forearms, five dark buttons down the front, narrow fabric belt tied at waist; frayed dusty hem, small dirt stains, worn black lace-up ankle boots. No jacket or additional layer. MAN wears a charcoal crew-neck cotton T-shirt beneath an OPEN faded blue-gray denim overshirt with two chest pockets, sleeves rolled to elbows; dark brown straight-cut trousers, worn brown leather boots. Outfits stay fixed.

ZOMBIE: Ashen mottled skin, bruised eye sockets, cloudy milky irises, cracked lips, dried blood around mouth, tangled hair, tense predatory jaw. Feral and intent on biting his neck, never affectionate.

00:00–00:01.3 — EXTREME CLOSE-UP, slightly low angle: man's tear-streaked face behind the blurred pistol aimed at her. His hands tremble; lips quiver.

00:01.3–00:02.8 — OVER HIS RIGHT SHOULDER: weapon foreground, zombie several meters away by the window. She raises her head, locks cloudy eyes on him and opens her mouth.

00:02.8–00:04.1 — ZOMBIE CLOSE-UP: bared teeth, guttural breath, twitching jaw. Her green dress collar and front buttons remain visible.

00:04.1–00:05.6 — MAN CLOSE-UP: overcome with grief, he lowers the pistol and drops it onto the floor. No gunshot.

00:05.6–00:07.0 — MEDIUM-WIDE TWO-SHOT: man SCREEN LEFT, woman SCREEN RIGHT. He opens his empty arms in surrender. She SPRINTS at him to attack, mouth wide and hands reaching for his shoulders and neck. He stays still.

00:07.0–00:08.0 — LOCKED MEDIUM TWO-SHOT, chest height, slight side angle, both bodies AND room visible. She lunges RIGHT to LEFT. His eyes close. LAST cold frame: fingertips millimeters from his shoulders. NO touch or embrace.

CRITICAL MATCH CUT — EXACTLY 00:08.0: Cut ON FIRST CONTACT, with ZERO delay. Last cold frame: fingertips almost touch. FIRST warm frame: her fingertips touch the EXACT SAME spots. Maintain the SAME movement, lens, camera height, angle, framing, scale and body positions. Man LEFT, woman RIGHT. Camera LOCKED; HARD CUT, not a dissolve or morph.

AT THAT VERY INSTANT, THE ENTIRE ENVIRONMENT CHANGES: the destroyed apartment is fully replaced by a CLEAN SUNLIT KITCHEN with intact cream walls, warm wooden cabinets, lace curtains and a wooden table. NO wallpaper, ruins or damage in ANY memory frame. Zombie makeup, BOTH outfits and lighting change simultaneously. Same gesture, new time and location; no blending.

MEMORY — 00:08.0–00:15.0. FOUR distinct shots, all in that SAME cozy kitchen. Golden afternoon sunlight, soft amber halation, creamy highlights, delicate analog grain. Both alive, healthy and happy.

MEMORY CLOTHES: WOMAN wears a clean pale-powder-blue cotton midi dress with a fitted waist, square neckline, short gathered sleeves, tiny white embroidered flowers and fabric-covered front buttons, cream ballet flats; NO outerwear. MAN wears a warm-beige linen button-up shirt with open collar and sleeves rolled to
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